Honest, trustworthy & expert knowledge & workshop skills.
Philip Brown (b.1961) decided on a career in musical instrument making from the age of fourteen after contact with instrument maker Alan Lamb and the musician/collector Peter Davies. It was the latter’s passion and knowledge of all things strings which inspired Philip to undertake the four year course in Lute and Viol making at the London College for Furniture. The workshop had an inspirational teaching team; Roger Rose, Steve Barber, Ian Harwood and Norman Myall augmented with the sharp insights from lutenist Christopher Wilson. Chris worked closely with the students staying behind for hours thrashing out design and historical ideas. It was a steep learning curve but after many late nights and hard graft, Philip emerged as the only student of his year awarded a distinction – bestowed by visiting master luthier Dietrich Kessler. Kessler said to Philip, “looking at your work, it's really very good so I want you to tell me what’s wrong with it!” Philip gave Kessler a list of things he was unhappy with and perhaps it was that which led to his award. Philip’s fellow students of the time were also an inspiring force, they included Martin Haycock, Tom Neitzert, Gary Bridgewood, Charles Riche, Craig Ryder and Claire Ryder - all of whom have gone on to excellence. On leaving the college in 1984, Philip had a healthy order book of instruments to make and this he did in Wapping, sharing a riverside workshop with Martin Haycock for a year before returning to his home town Newbury in 1985 where he continued to make lutes and started working with violins. The violin side of the business grew and grew and has been the mainstay of his work for many years. Philip's special area of interest is for English violin and bow makers.
85a Northbrook Street
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